ASIFA-CHINA

国际动画协会中国分会

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  • 学术期刊
  • 特约文章
  • 专家访谈
  • ASIFA Academic Magazine 2024/VOL.1/#1

    CASE STUDY

    Behind-the-Scenes of Oscar-Norminated Short Animation LETTER TO A PIG


    ACADEMIC RESEARCH ON ANIMATION

    Becoming and Being in Animation——How Can Animation Discuss Philosophical Ideas on Becoming and Time? 


    Cross-Industry Collaboration between Idol Groups and Animation IPs: A Case Study of the Collaboration between NewJeans and "The Powerpuff Girls"


    Beyond Genre and Technique: Animated Cinema is an Autonomous Language


    Research on the Business Model of Chinese Preschool Animation Brands


    ANIMATOR INTERVIEW

    Interview with Mehrdad Sheikhan


    ASIFA PRIZE

    Kihachiro Kawamoto——ASIFA Prize Winner in 1985 

  • 2023/VOL.1/#1 INDEX
    INVITED MANUSCRIPT
    What is Backstage Illusion?
                                           
    HISTORY OF ANIMATION
    Good Soldier Schweik in Civil Suit——Reflections of the Middle European Tradition of Humor in the Animated Films of the Zagreb School
    Meishu Pian: Animation Practice Influenced by the Concept of Chinese Realistic Film Creation
    Transformation of Creative Paths in Chinese Mythological Animation under the Theory of Defamiliarization——Taking Animated Films with Mythological Themes after 2015 as the Research Object                                        

    ANIMATION CREATION
    Expression of Cultural Symbols in the Design of Animation Characters and Animation Scenes——Taking the Animation Series Legend of Chinese Medicine as an Example       
    Three Early Experiments in Multicursal Storytelling in Animated Film
    The Expression of “Puppet’s Characteristics” in Quanzhou Marionette Show from the Perspective of Animation
                                               
    SCIENTIFIC RESEARCH METHOD
    The Audience Context of SAFS in the New Media Age: a Case Study based on Co-word Analysis
    Research on Narrative Mode Based on Information Visualization Design

    MULTIPLE PERSPECTIVES
    Expanded Animation Boundary:The Study of Cultural Memory & Ethnography Writing in Animated Films                                                  
    A Study of the Metaphorical Nature of Children's Animation from the Perspective of Media Context Theory
                                                     
    NEW TECHNOLOGY & NEW MEDIA
    Metaverse - New Ecology of Future Art Development
    From Source Text to Creative Production: Technological and Narrative Approachesto Shakespeare Adaptation for Expanded Animation (VR)                     
    Diffusion Model Applications in Rock Paper Scissors: an Impact Analysis of Traditional 2D Animation Pipelines                                       
    Study on the Inspiration of the Webtoon Storyboard to Vertical Screen Animation Creation                                                             
  • 2024/VOL.2/#1 INDEX
    INVITED MANUSCRIPT
    What is Backstage Illusion?
                                                       
    HISTORY OF ANIMATION
    Good Soldier Schweik in Civil Suit——Reflections of the Middle European
    Tradition of Humor in the Animated Films of the Zagreb School
                                                                                                 
    Meishu Pian: Animation Practice Influenced by the Concept of Chinese
    Realistic Film Creation
                                                               
    Transformation of Creative Paths in Chinese Mythological Animation under the Theory of Defamiliarization——Taking Animated Films with Mythological Themes after 2015 as the Research Object 

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